Fort Frolic Slot Machines

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Bioshock is a 2007 first-person shooter video game set in a 1960s underwater dystopia. The game was developed by 2k Games and offers versions for the Microsoft Xbox 360 and Sony PlayStation 3, also for the PC. You can buy either of two. Slot machines serve as stationery decorative objects in the multiplayer, primarily in the Fort Frolic map. The machines are identical to the single player design, but they do appear in both a blue and yellow color. Three new tiles has also been designed: a yellow bell, a blue fish and orange fruit. Burial a​t Sea - Episode 1. This page of the BioShock game guide contains the first part of the Fort Frolic walkthrough.This Chapter deals for the first time with the strange artist Sander Cohen. Important objects to search for are the Power to the People station and the Gatherer's Garden, which allows you to buy several new plasm. Once the Spiders are defeated, Sander sends you a new goal to meet him in Fleet Hall. Keep left then use Telekinesis to grab this Automatic Hack Tool from the upper ledge. Continue through the now-unlocked doors beneath the 'Welcome to Fort Frolic' sign to find more slot machines and a Circus of Values.

Fort Frolic is the entertainment district of Rapture, the main city of “Bioshock” (2K, Irrational, 2007). It is my favourite level in the whole of “Bioshock” series and I will analyze what makes it so successful.

The level begins in spectacular fashion: as soon as the player reaches the bathysphere, a scripted event blocks his path. The bathysphere goes down and a big mask of a bunny rises up into the purple lights, right in front of the player. The mask is a familiar for the player; it has been encountered many times before on splicer’s faces. The fact that Jack has just seen his way out blocked with ease and a big symbol of horror arise right in front of him gives the player a sense of dread; the player feels trapped, without any option except to follow Cohen’s orders and enter Fort Frolic where, judging by the mask, things might not be so pretty. The start of the level already reinforces one of the biggest themes of “Bioshock”: how much freedom does a player really have. Upon completion of the first small challenge of the level (a well-spaced out encounter with 4 splicers), Cohen deems the player worthy and allows access into Fort Frolic.

Mission Structure and Pacing

The mission structure in the level is straightforward and given to the player by Cohen himself: help him complete his final masterpiece, his “quadtych” of photographs of 4 of his former students, all of whom have betrayed him. In order for the player to capture the photographs, however, the player has to kill them. The first victim whose photograph that Jack must take is already given to the player; poor Kyle Fitzpatrick gets spectacularly blown up on stage after failing to perform a piano piece the right way and lies on stage, waiting for his close up.

Upon taking the picture, Cohen asks Jack to place it on his masterpiece and rewards him with a new weapon, a long-range crossbow. This performs two things: it rewards the player for doing the right thing (take a picture of the body and place it on stage) so the player remembers what to do for next enemy encounters, and provides the player with a new weapon to deal with those future enemies: as the player later finds out, the other 3 students that Jack has to kill attempt to flee from him. This is where the new long-range and high-damage weapon comes in handy.

The 3 stages of the level (the 3 encounters with students) are very well paced in terms of rising and falling action. Each encounter can be broken down into phases: search for target (low action, if one does not fight Big Daddies or splicers), combat with the target (high action), return to Cohen’s stage to place the photograph (low action). The encounters vary in terms of difficulty, too.

The third kill is the most interesting, though. It is not hard to kill the last student; rather, reaching him in Eve’s Garden is a reward for the player. While the first few kills that the player does for Cohen are Cohen’s mere fancy, Rodriguez’s hideout (the name of the last student), which is Eve’s Garden, is the only direct story-related event in the level. In Eve’s Garden, the player learns that Jasmine Jolene, Rapture’s favourite dancer, had a child with Ryan, but she gave it up for adoption. Later on, the player finds out that the child is Jack. This is why killing Rodriguez is not as challenging; whereas the previous few kills reached their rising and falling actions through physical encounters, this is a rising point in terms of the narrative, and to let the player analyze the newly-learned detail rather than fight off hordes of enemies, the designers made that encounter easier.

Fort Frolic, just like the rest of Bioshock, is extremely well designed in terms of space and player direction. As soon as Jack enters Fort Frolic, the player finds themselves in a middle of a semi-circle of shops and lights; all surrounding the main, red focal point of the space – the stage, where the masterpiece will be located. To help guide the player’s eye towards the stage, there are two figures standing beside the stage, looking at it with awe. They are also dead, with blood visible around their necks, to add to the feeling of unease.

The main action of the level happens in Poseidon Plaza. It can be found by the use of symbols and arrows, guiding the player.

The level, and each room within the level, can be navigated circularly, which adds dynamic movement to the player, encourages strategic positioning and cover during combat, while eliminating bland, straight hallways. In terms of cover, different objects within the level, like pillars, tables and cash counters, give the player room to hide and analyze the situation during combat. The main area in front of the stage resembles an arena, with two floors providing verticality. The player can make full use of the arena-like space after the second kill, when Cohen sends many waves of splicers at Jack. That fight acts as the “boss battle” for the player before the “baby” revelation and the final reward, a new Plasmid, given to the player by Cohen himself.

“Bioshock” uses light in a very useful way, and Fort Frolic is no different. It uses contrast to guide the player, mixing the general dimmed lighting with colourful and bright neon lights indicating different rooms and points of interest. The most important parts, the stage and Eve’s Garden, are both red.

Inside of Eve’s Garden, the body of Jolene is focused on by hard light coming from the ceiling, as a point of interest.

The vending machines, or power ups, are also very well-spaced. As soon as Jack enters Fort Frolic, there is a vending machine that allows the player to restock items from the previous battle and prepare for the level ahead. Different vending and ammo machines, as well as Gatherer’s Garden and Gene Banks, are spaced out so that the player can restock after a battle, buy health and eve hypos.

The careful use of neon signs and the positioning of vending machines and power ups also encourages exploration. The action of hunting the three students happens in Poseidon Plaza, yet the level offers a lot of other rooms for the player to explore and learn more about Rapture, Fort Frolic and Sander Cohen. Places like Cohen’s Collection, Sophia’s Salon and Cohen’s Projection Room contain certain objects and audio diaries within them that allow learning of new information and more immersion into the world of Rapture and Fort Frolic.

Conclusion

At the end of the level, Sander Cohen descends down the stairs and lets you go from his grasp, rewarding you with a new Plasmid. Fort Frolic is a great example of a level that affects the player emotionally, has a gradual progression of difficulty, rewards the player upon completion, and provides important narrative pieces for the overarching story.

In light of the recent BioShock Infinite announcement, I felt like sharing some BioShock 2 dev tidbits I've been holding on to.

Not too long ago, I came into a bit of intelligence regarding BioShock 2. An ex-developer of 2K Marin, who asked not to be named, traded some info in exchange for 3 cans of Aunt Millie's spaghetti sauce and some 'plasmids'. After some back and forth on the logistics of procuring plasmids, they finally conceded that they wanted to score some heroin.

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The first chunk of knowledge had to do with the decision to cut the subtitle 'Sea of Dreams'. Originally the team planned on taking the splicer ghost mechanic a step further, introducing the spliced up spirits of crustaceans and Rapturian football players past, which were able to join your party. This was scrapped and instead saved for another unannounced game in the franchise, which is currently in development.

The biggest treasure trove of juicy details I received was about all of the other classes of 'Big Somethings' that were invented prior to the decision to make the Big Sister. Once the Big Sister trump card was dealt, the rest were dispatched in short order. What follows is a wealth of concept art and in-game screenshots that show some of these lost prototypes and evolutionary relatives. Enjoy:

This particular class (or classless) of Big Something had problems since day one. The problem wasn’t with his arsenal. His wrench arm and steel-reinforced fanny pack (filled with explosives, awful belated birthday presents, Chechnya Vodka nips, and lotto tickets) were beloved by the team. The problem was with his conduct and dynamic behavior. The first, and only Big Uncle implemented into the game was by all accounts… just creepy. Through testing, the team saw all of the lewd and unlawful behavior that he engaged in with other NPCs. He would abandon all of his directives entirely and spend hours on-end at the slot machines in Fort Frolic, breaking away only to visit the strip club nearby. There he would bang his wrench on the vacant stage, the team thinks in an effort to coax a stripper out from backstage to perform.

When he wasn’t gambling away all of his ADAM and trying in vain to get a splicer striptease, he would collect Little Sisters for the sole purpose of trying to get them to sit on his lap. The programmers toiled day and night to try and omit the creepy gene from his code, but to no avail. Even after being forced to register as a sex offender he did not abstain. Left with no other options, the team put him down. None of the other NPCs attended his watery funeral.

Big Kitty
Step Daddy
Big Decapitated Head
Sugar Daddy
Aside from being some delicious in-game advertising, the Sugar Daddy was envisioned to be a kickass addition to Rapture’s ecology. Inspired by a segment on spiders in Planet Earth, he shat caramel to use as adhesive traps for his enemies. His drill served as both a weapon and a stirring mechanism for his caramel. Needless to say, his gooey composition made him quite popular with the Little Sisters. Too popular. Numerous dynamic battles between them ensued. Little Sisters began resorting to sucking excess sugar out of his fecal matter with their syringes.

You’ll note that he’s posing in this picture. This is a common behavior for the Sugar Daddy to exhibit. After the shutter opens, the emulsion is exposed, and the camera calculates the composition of the photo and grades it on a letter scale, the Sugar Daddy will hurl his caramel shit at the lens of the camera and proceed to butter the player’s bread as it were.

The team hired 3 new programmers whose sole job was to work on lifelike caramel viscosity. Due to the recession and the realization that such a pursuit was technically impossible, the Sugar Daddy was abandoned and the men were laid off. One of his architects may or may not have turned to selling intelligence for injectable income.

Super Small Craw Daddy
These little critters got their start as a pervasive, run-of-the-mill STD, native to the deep-sea home of Rapture. Their existence was known to the city’s inhabitants for some time. The brightest and most learned doctors in the world classified them as Pubis Crawdaddus Vulgaris, but that was all they did and a cure was considered unimaginable. Dirty fisherman and all-around no-goodnick, Peach Wilkins was believed to be the first to contract this disease. This was corroborated with one of his daily ‘Dear audio diary’ entries.

How he contracted it was not certain and not a topic anyone wanted to explore further.

It wasn’t long before these vermin found their way to Rapture’s premiere pole dancer, Jasmine Jolie, and then onto the moustache of Andrew Ryan. Colonizing both facial hair and pubic undergrowth, the Crawdads came into contact with plasmid residue. This exposure imbued the Crawdads with a variety of powers. They began to exploit the natural resources around them, like makeup glitter and aftershave, extracting alloys to craft weapons, armor, and anything else they could ever need. However, the Crawdads weren’t the only forms of life to be transformed. Their main aggressors were Splicer Sperm. Splicer Sperm also adapted and used the Date Rape plasmid (known as Electro Bolt to us humans) to stun the Crawdads and then attempted to enter them, thinking they might be eggs.

As the world of Rapture collapsed, a separate, microscopic dystopia existed just underneath everyone’s noses… and genitals. The citizens of Rapture began to don masks, much like syphilis wigs, to cover up their shame and the pinch welts that covered their faces.

Note to the player: Don’t be fooled, these guys can pinch something fierce. Avoid public bathrooms and whatever you do, don’t touch a single toilet handle. That’s where large concentrations of them frequent. The best defense against them is to stand underneath some water. Add the new Mr. Scrubbing Bubbles plasmid to said water. Work into a lather. Keep on body for 1 minute. Rinse off. Repeat until skin turns red.

Big Bad Foster Parents
Pretty self-explanatory. The parents force the kids to oil their guns, wash the hog, tape episodes of Texas Justice, pick up used syringes off the floors of metro stations, and alert the family to hide whenever a Jehovah’s Witness approaches the house. Foster Mom is armed, quite literally with an industrial strength eggbeater, which she uses to stir government pancake mix to feed 30.

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Big Brother Who Smokes Weed
Forgot to pick up your Little Sister from the vent and take her to suck liquid out of waterlogged corpses? Just tell her you were getting high and syncing up Anna Culpepper’s new album to play perfectly with seahorse mating rituals . . . She’ll understand.

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Big Drill
This mean motherfucker is just all sorts of fuck you up